The creators of Gaycondo aren’t dead… we are all just very involved in other projects right now.

Jon is putting together a VINYL compilation of Portland based duos in a collection called “We Made These Songs”. It will be out later this year and is going to be totally awesome.

Paul is riding his bike like a mad man!

Em is currently writing for a new music blog called Outsider Music Press. It features reviews, photos, videos, etc! Kind of on the theme of her “tragically unheard of column”. Exposing insider knowledge on outsider made music. Check it Out!

That kind of sounds like a new disease, doesn’t it? Ohhh, I was up vlogging all night, and I feel awful!

Anyway, it’s not. It’s a video blog! I’ve been in Seattle since last August working at the awesome nonprofit video production program for teen girls, Reel Grrls. My coworker Maile and I have been talking about doing a vlog of our rambling pop culture convos for a long time… And so we finally did! In this video we discuss Bristol Palin and her new anti-teen pregnancy PSA.

If you want to see more of Reel Grrls, be sure to check out our new and improved Grrl Blog!

WWW.LOSPOSTMODERNOS.COM

Dear readers,
Sorry for the hiatus on the blogosphere…. Jon and I have been very busy with band stuff and we are proud to announce the release of our latest album!


SWALLOWS

“BETWEEN THE SEA AND SKY” OUT NOW

BUY NOW ON CDBABY

“Between the Sea and Sky is a surprisingly rich-sounding album, with the band’s elastic Electrelane-like grooves shifting seamlessly into knottier riffing and prog-rock complexity.” – Portland Mercury

“Portland’s Swallows—purveyors of jangly, spiraling guitar progressions that remind of Television and Rainer Maria, albeit laced with a distinct riot grrrl edge. The duo’s latest effort, Between the Sea and Sky, throws back to the cassette tape era with a playful lo-fi aesthetic that never feels cutesy or forced.” – Willamette Week

“On the album’s anthem, “When They Come to Us,” vocalist Em Brownlowe holds an even tone and sings carefully over a bed of toms, “When they come for us they’ll come to our door / And they’ll peek inside / And all they’ll find is love.” Brownlowe, 25, and drummer Jon Miller, 27, who both identify as “queer,” explain the song is a reaction to legislation against same-sex marriages. But had they said it was about Tibet or the Spanish Inquisition, that would have been believable, too. The song’s simple lyrics and melody make it universal and subtle — qualities of most good protest songs — and the fact that it draws its strength from the humble confidence afforded only to those who are right in any struggle makes it beautiful.” – Jason Simms, The Oregonian

“Their new work demonstrate a mastery of controlled intensity, with compositions meditating on a modality and building in force and intricacy into bold poetic landscapes.” – Crappy Indie Music Blog

Heart,
Jon, Em & Paul

One of the top advertising companies, Wieden + Kennedy, has a web series detailing Portland’s underground music scene entitled “Don’t Move Here”. Besides taking a look at bands everyone already loves [ahem, Explode Into Colors, Atole, Grouper, Valet, etc], the web series takes an insider look at Portland music culture and it’s enthusiasts. From people favoring mix tapes, to independent records labels this show will inevitably (and ironically) attract more and more people to our cool little utopia of independent diy music making).

Watch the trailer:

Watch full episodes NOW

My room mate, Kayla Tabb, has started a new webseries that is destined to go viral with the homos (you may remember her from Muffin Top fame).

Her new show is called Because You Care and features every day hilarity in her life.

Watch Episode #1:

Former gaycondo housemate, Beth, has a new obsession: everything Dog.

Dogs = the new cat.

Dogs = the new queer pet of choice.

In this video you will see what I mean.

WARNING: The video you are about to watch may take you to another place….A place called Mesopotamia. UH!

Hipsters make their cats hipsters too at Hipster Kitty

Sergeant Sparrow Records is a DIY inspired zine envisioned by Angel Russell. It is currently based out of Martha’s Vineyard but covers music from all over the United States. Each zine is printed and notes the creativity of musicians making music from their own bedrooms and beyond. In addition to music reviews and interviews, each zine is accompanied by a CD featuring work by the selected artists….providing a soundtrack as you flip through the pages. We were lucky enough to catch up with Angel and discuss her project, the future and musical ponies.

Miss Russell and sidekick, Charlie

1. What inspired you to start Sergeant Sparrow?
I finished my first album ” Sunken Ships and Parlor Tricks” and wanted to release it myself, so I thought, why not make a little label to release it. That led me to want to do more with the label but because I don’t have a ton of money I thought what is the next best way to expose people to new music? And I came up with the magazine/cd compilation idea. In most mainstream music magazines you only get to read about an artist through glossy editing and images. You have to go elsewhere to hear the music. So, I thought it would be a cool idea if you could hear the music while you were reading the articles. I also wanted to set up the interviews to be question/answer so you would get to hear the voice of the artist unedited, direct from the musical ponies mouth. I don’t think musicians are ponies, but I did refer to Bryan Cecil (Y-Tron) as a magical electric pony rider. Then because I know what it is like to be a starving musician I decided I would help the featured artists out by making the magazine a non-profit. 100% of profits go to support the featured artists.

2. Describe the meaning behind the name.
David Attenborough informed me in the life of birds that Sparrows live in flocks and have a hierarchy. They refer to this through the usage of General for the big “I’ma gonna eat your bread first because I’m bigger an Meaner than you”, and the Sergeants, “Ok dude your right go ahead and eat it, I’m quite fond of my eyes thank you” birdies. I thought Sergeant Sparrow had a ring to it.

3. What types of music interest you? Any specific genre?
I love all types of music. As a musician I find that you can hear new and interesting sounds through whatever genre you are listening too. You just have to have an open mind. I love hearing the way people put parts together, and their instrumentation choices, I am more interested in arranging I suppose and less interested in lyrics. I go through phases where I get super excited about different genres. When I finished my first album I was obsessed with klezmer and Gypsy Jazz. I went from that to Soul after I got my hands on a compilation by Eccentric Soul: The Tragar & Note Labels. Amazing. Then that somehow led me to Electro pop and lately I have been listening to what those around me have to offer because of the magazine. It is a really rewarding experience because I get to feature them in the magazine and really sit down and find out how their creative energy works.

4. How do you find the artists you feature in the magazine and on the compilation.
For the first issue a lot of the artists I already new from playing music all over the country in various bands and moving a lot. The same is true about the second issue as well, but what is different is that I have approached artists I don’t know personally and they have been very supportive of the endeavor. Their involvement has led to more interest through word of mouth, so the amount of artists I can feature is growing exponentially which is very exciting. My intention from the get go was to expose people to new and exciting music, especially from their own backyard. I want to show them artists they might not have heard before but deserve to be noticed. My other main objective is to give these artists a voice, a platform to show and talk about their work. This is not limited to music either, I include in each issue illustrators, painters and photographers. And in the second issue there is a short story.

5. Why did you decide to do an old fashioned paper zine/burned CD as opposed to creating an online blog or digital composition?
I produce a paper copy of the magazine that has a compilation Cd of the featured artists music attached inside and a pdf version with mp3′s online. So, I am trying to reach both those who get their information online and those who appreciate hard copies. The magazine is starting out as the Martha’s Vineyard Music Magazine because that is where I live currently and a lot of my local readers read the paper and local magazines here so I do have a market for that. I also believe there is still something to holding a tangible item in your hands that you can see, touch, smell and eat should you feel so inclined… Because it is also in CD format I can put better quality files of the songs on the disc. as opposed to MP3′s

6. What’s next for Sergeant Sparrow?

I, Sergeant Sparrow, will continue to spread the music, art and voices from artists all of the country, and now the world. There is an artist from England in our next issue. I am currently working with my editor Cooper Davis to find a team that will be able to execute our ideas. I’m a little hesitant to discuss them as I don’t want to jinx anything, but we are working on better, bolder layout, printing, stories, articles and more collaborates and volunteers. I will continue to find new artists to introduce to people. And I also have two radio shows on the local radio here, yet another platform to give unknown artists a voice. I have featured artists on the air as guests that play and talk about their music with listeners. You can listen to my shows online at www.wvvy.org and if your on MV you can tune in to 93.7 LP FM tuesdays 10-12am and thursdays 1-3pm eastern time.

Check out more from Sergeant Sparrow records and purchase the magazine at www.sergeantsparrowrecords.com

Our dearest lady friends of Agent Ribbons are giving us a sneak peak to their new album, Chateau Crone with an incredible music video for “Dada Girlfriend” directed by Chelsea Wolfe. The music is stark and somber and is matched with an eerie music video that blasts us back to a simpler time of avant-guarde silent films.

A work of art on everyone’s behalf

certainly sounds delicious.

Here’s Cat Power (when she was still an artist and not a tool!)

Earlier this month former Bikini Kill members created a fan content driven archive website. It is made up entirely of remembered stories, videos, and pictures from fans about their experience of the band. My favorite so far is republished below, but there are at least a hundred more stories at the site to read, including one that will make you swear off Sub-Pop Records for life! Check out the site!

I first started listening to Bikini Kill in 1992. or maybe it was 93. I grew up in an super-strict, conservative Vietnamese household. My mother told me I was not allowed to play the Bikini Kill LP in the house because they said the word “fuck” a lot, and she didn’t want my younger sister and brother to be exposed to that kind of language. So naturally, i took my 12 year old sister to see Bikini Kill play at La Luna in Portland, Oregon. I didn’t have anyone else to go with at the time, much less know any punk rockers, and didn’t want to go by myself. We told our parents we were going to see a movie. My sister wore a t-shirt with cat pictures all over it, but in a non-ironic kind of way. It took us an hour to drive to Portland. Neither of us had been to a punk rock show before and didn’t know what to expect.

when we got there, i was really surprised to see other people of color in the audience. That was super-important, as skinheads were a problem back then. My hometown was rural-ish, we had a racist skinhead contingent in town, and not a lot people of color lived there; I’d get harassed a lot, and that kinda kept me away from shows and stuff. Before then, I wasn’t aware of other people of color in the punk scene. This was before internet access became ubiquitous and before I started networking or reading zines. It definitely felt like being the last and only unicorn left on earth, but then stumbling upon a secret field full of frolicking unicorns. Maybe i was just small town at the time, but I think riot grrrl kinda sent the message or beacon to other marginalized groups that it was safe to go to punk shows or be part of the punk scene and refuse to be made to feel like you aren’t “supposed” to be there.

The opening band was awesome; but i can’t remember their name. Some guy in the audience started to scream sexist shit at them, and the singer-lady responded, “is there a problem?” and then she demanded that he come forward on stage, or they would end the set. When the guy refused, they immediately ended their set, and walked off the stage. People got super pissed and they cussed him out, and then the guy left. it was so cool, I made a mental note to use that tactic at some point in the future. Bikini Kill was awesome. my sister loved it. Kathleen wore a shirt that said, “marry me, fly free.” At that moment, I remember feeling like I was part of something big, urgent, and powerful, and that if you wanted, you could claim that power for yourself and share it with others, and maybe try to change the world with it. On the way back from Portland, i was so amped up I almost crashed the car on the offramp to I-5. When we got home, our parents were watching Chinese soap operas and didn’t notice that we were gone for 6 hours

This skit written by and starring Aubrey Plaza–who plays April on the show “Parks and Recreation” and is a very accomplished sketch comedian in her own right–examines what happens when “Judge Judy” and “My Super Sweet 16″ collide. I recommend it! Highly!:

“Paraguay” – this is the first time we ever played the song live! Yay!

This is a brand new song and the first time we ever played it!

“When They Come To Us”

“The Kingdom” + “Thunder // Lightning”

If you live in/near Portland please come to our big CD release party!

Portland’s queer electro-icon, Logan Lynn, teams up with beatmaster, Y-TRON, to take on The Dandy Warhol’s “You Were The Last High” which is so postmodern I’m sure Andy Warhol would shimmy in heaven!

The cover is matched with a video directed by Directed by Rebecca Micciche in which Logan Lynn lounges around what appears to be a slew of American Apparel models.

http://www.LoganLynnMusic.com
http://www.myspace.com/ytronmusic

The first thing to keep in mind when viewing  Kean Etro’s Fall 2010 collection is that you must ignore the hats. They are big, and dumb, and have little in relation with the rest of the styling. I believe that the hats, which you’ll notice are not present in any of my top four looks below,  were added last minute by Etro to “jazz up” what for him is actually a pretty tame collection. The fact of the matter though is that Etro is always at his best when he keeps it simple, tailored, and wearable. For example, remember his Spring 2009 flop? 

This is sort of a recurring thing for Kean Etro. Awesome Fall collections, turdy Spring ones. I feel like an enabling and abused spouse every time I take him back, but fuck it. I love you Kean Etro.

At least for now.

For the upcoming Fall season Etro’s theme seems to be what I have affectionately titled “equestrian pimp”.  The jodhpurs, horse bit hardware, and leg bindings scream weekend in Connecticut. But the jewel tones, lush fabrics, flashy shoes, and (*sigh*) huge hats shout back with Saturday nights downtown.

 I love all the pants and jackets (with the exception of those giant pocket leather hip enhancing beasts. If it makes a model look pear shaped, imagine what you would look like), and those leg bindings seem both forward and surprisingly wearable. In fact, there isn’t much in this collection that I can’t imagine myself wearing. I might not style it as such, but as separates it all works.